Text preparation
We divide the script into readable cues, set the line breaks and the pace, and leave a file an operator can follow when the stage does not follow the page.
We prepare the titles, match the translations, cue the performance, and work with the house on how the text reaches the audience. If you later want to run SuperTitles yourselves, the same files stay in the platform.
Pireos 260 — Greek and English on the same cues, several screens.
Since 2003: more than 500 events and 1,000 live performances, in theatre and opera.
We can take care of the complete surtitles process or only the parts your production needs.
We prepare the script for performance by dividing it into readable cues, setting line breaks, and aligning every translated language with the original. Translation can come from your own team or from our network of professional translators.
During rehearsals and performances, an experienced operator follows the action and cues each line live. For productions that prefer to operate independently, we can prepare the files and support their own team.
We also plan how the titles reach the audience—through projectors, LED screens, existing venue systems, or personal displays. We specify and set up the required path while specialist suppliers provide the equipment.
Everything stays in the same platform, so a production can begin as a complete service and later be operated by its own team.
To prepare the surtitles, we need the complete original text in a digital, editable format and a recording of the production — preferably video, or audio if video is not available. Please send both at least one week before our first rehearsal with the production.
We divide the script into readable cues, set the line breaks and the pace, and leave a file an operator can follow when the stage does not follow the page.
Marilena, Iro, Eri, Hara, Anna, Frosso, Chris, and Achilles stay with the performance, focused and dedicated, so the surtitles arrive exactly when they should. They cue the show through rehearsals and performances.
Each language stays aligned with the same set of cues. The translations come from our network of cooperator translators, matched to the prepared original cue by cue.
Several halls, files, and operators can follow the same workflow. Recent seasons are in News.
The production file stays the same while the screen setup adapts to each venue.
The files remain in the platform if you later want to operate SuperTitles yourselves.
We help choose the right way for the text to reach the audience. We specify and set up. The specialist invoices the equipment. We stay responsible for the titles.
Complete service, text preparation, technical planning, live operation, or support for your own team.
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